MUSICIANS
“The
music of Marc Rossi is intensely expressive. He uses the greatest
diversity of means from the melodic lyricism of his String Quartet
#1, to the orchestral grandeur of Negru Voda to the evocative sonorities
of Three Jazz Sutras to produce consistently compelling music of
haunting beauty and striking originality.”—Jeffrey
Jacob, pianist
"Surely
Marc Rossi has made significant enough strides to begin to rank
him amongst the most accomplished and prolific American composers
of his generation. This is represented by a steadily growing catalogue
of recorded works along with very important achievements as an improviser,
performer, composer, and teacher." —William Thomas
McKinley
"Marc
Rossi's music shines like a beacon."––George
Russell
"I performed
with Marc on a number of gigs. I found his compositions to be haunting,
lyrical and passionate, and audiences responded to them."—Lewis
Porter
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REVIEWS
“Marc
Rossi is one of the dynamic few whose musical and cultural awareness
travels exponentially in many different directions, expanding his
personal universe. His piano and writing for professional ensembles
of composers/NEC educators Jimmy Guiffre (quartet) and George Russell
(Living Time Orchestra), as well as for his own neo-fusion sextet
the Marc Rossi Group (MRC, formerly Solaris), and the world-beat
band Ascension, have shown skill, depth, heart a sense of adventure,
and attempts to form a fresh vernacular.”—Fred
Bouchard, DownBeat
“Associate
Professor Marc Rossi doesn’t see diverse music styles fitting
neatly into compartments. A pianist and composer, he freely moves
between musical genres running the gamut from jazz and fusion to
classical and non-Western music.”—Berklee
Today
“Using
[George Russell’s Lydian Chromatic Concept of Tonal Organization]
as a point of departure, [Ben Schwendener and Marc Rossi] combine
talents to yield a product that exists somewhere between the Second
Viennese School and post bop—cerebral, but elegant; moving
from bare lines to rich, expansive harmonies.”—SoundTracks
Column, newmusicbox.org
“…while
Boston, MA based pianists Marc Rossi and Ben Schwendener may not
represent household names, [Living Geometry] recorded live
at a concert hall in Cambridge, MA, hits the mark in a variety of
ways…Rossi and Schwendener concoct subtle melodies in concert
with alternating statements while utilizing Russell’s now
infamous harmonic language as a core framework…this is a very
special endeavor, marked by the contrasting tonalities of their
grand pianos and mutual comprehension of what needed to be accomplished.
A beautiful affair it is! (A top pick for 2002).”—Modern
Jazz Editor’s Monthly Pick (September 2002), allaboutjazz.com
“Keyboardist
Marc Rossi’s quintet shows throughout We Must Continue
that there is still life to be found in fusion. Even with the constant
evolution of keyboards during the last decade (this disc was recorded
back in 1988), the spirited music on Marc Rossi’s CD still
sounds fresh and the chance taking explorations have plenty of exciting
moments. This enjoyable set is easily recommended to listeners who
are not afraid of the sound of fusion.”—Scott
Yanow, LA Jazz Scene
“Leader,
composer and keyboardist Marc Rossi has released a debut album which
is second to none. He holds a long list of credentials from all
facets of the music industry. Jazz fans around the world are sure
to be talking about this great new release. Be sure to check it
out!”—Morrice’s Jazz CD Review (now jazzreview.com)
“With
his debut recording as a leader, composer/keyboardist Marc Rossi
offers sophisticated, original compositions energized by improvisation
and the rhythms of a wide spectrum of popular and world musics.
Rossi brings all his experiences and influences into vibrant interplay
on We Must Continue.”—New England
Entertainment Digest
“Rossi
has been building a reputation playing in truly diverse musical
environs, from NuClassix and the Jimmy Guiffre 4 to Stan Strickland
and Ascension and George Russell’s Living Time Orchestra.
His music is full of surprises.”—Bob Young,
Boston Herald
“Stan
Strickland’s Ascension, the electric sextet propelled by the
keyboards and writing of Marc Rossi, remains a spirited forum that
allows him room for some riskier blowing on saxes and flute while
maintaining audience-friendly soul and world beat rhythms.”—Bob
Blumenthal, Boston Globe
“['Negru
Voda'] is lushly orchestrated and lyrically pensive, tinged with
jazz harmony…by its end I was moved.”—Fanfare
“Rossi
has never been someone of one-dimensional interests. The list of
both jazz and classical compositions he has written is long and
impressive.”—David Wildman, Boston Globe
“['Blue
Solomon: A Song of Songs’] triparite format teems with energetic
abandon and shows an engaging directness of speech.”—David
Cleary, 21st Century Music
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